(Originais Teachy 2024) - Question Hard of Spanish

Honesty Pushing a cart with a tray containing a glass of water, a jar of capsules, a thermometer, and a folder, the nurse enters room 93, says 'Good afternoon' and approaches the bed of the patient, who lies with closed eyes. She looks at him without much interest, checks the instructions hanging at the foot of the bed, takes a capsule from the jar on the cart and, while picking up the glass of water, says: - Mr. Rdz, it's time for the capsule. Mr. Rdz doesn't move a muscle. The nurse touches his arm. - Come on, Mr. Rdz. With the darkest forebodings, the nurse takes the patient's wrist to check his pulse. There is none. He is dead. She puts the capsule back in the jar, pushes the cart into a corner, and leaves the room. She runs to the control desk of that wing of the hospital (D) and informs the head nurse that the patient in room 93 has died [...]. MONZÓ, Quim. El porqué de las cosas, 1994. Available at: <https://www.wattpad.com/87451468-elporqu%C3%A9-de-las-cosas-la-honestidad>. Accessed on: Dec 8, 2015. In the excerpt '[...] She looks at him without much interest, checks the instructions hanging at the foot of the bed, takes a capsule from the jar on the cart and, while picking up the glass of water, she says [...]', the highlighted expression establishes a relationship of

What feeling is expressed with the use of the subjunctive in the sentences of the second paragraph?

Read the following excerpt, taken from a contemporary poem in Spanish literature, where the author explores social and historical themes, reflecting on the identity of a people. Observe carefully the use of definite and indefinite articles, as well as the neutral article, and identify the grammatical function they perform in the poem, considering the context of the text and the contribution of these elements to the construction of meaning and sound in the poem. After this analysis, relate the use of these elements to the socio-political context of Spain at the turn of the 20th to the 21st century, highlighting how the poet employs them to convey his vision of the transformations and challenges faced by Spanish society at that time.

In his mansion in El Pardo, King Carlos III of Spain housed a vast art collection, including tapestries, porcelain, and musical instruments. Among his tapestries stood out the set depicting hunting scenes, where the fine gold and silver threads woven into the details and the expressions of the hunters evoked dazzling luxury. Throughout his reign, Carlos III carried out numerous reforms in the Palace of El Pardo, turning it into a residence of great splendor. The fusion of material wealth and good taste in interior decoration is an outstanding example of French influence in 18th-century Spain. Considering the historical context and the vocabulary related to the parts of a mansion and the objects of the time, identify an object or material typical of the decoration of King Carlos III of Spain's mansion in El Pardo that reflects the sophistication and refinement of the era, justifying your choice based on knowledge of vocabulary and materials from the pre-industrial era.